Review: Screaming Females

Marissa Paternoster

I can't think of a better venue at which to see Screaming Females than at Schuba's tavern...except maybe someone's basement or house party. For those who have never been, Schuba's has a very intimate stage set-up. Even if you're standing at the end of the floor, you do not feel far from the band.

This intimate stage is perfect for Screaming Females, an awesome guitar-driven power trio hailing from New Jersey, known for their D.I.Y. ethics. Don't be fooled by Marissa Paternoster's small stature, sweet demeanor and very cute outfit, for not only can her riffs and solos put any guitarist to shame, but her stage presence is truly remarkable.

With Jarret Dougherty and Mike Rickenbacker as a solid and enthusiastic rhythm section, Paternoster is able to shine, with guitar

licks that are creative and still seem to pay homage to great solo masters like Tommy Iommi and Jimmy Page. This paired with her solid riffs and unique voice define the sound of Screaming Females. Rickenbacker (who appropriately plays a Rickenbacker) provides a sturdy sonic ground, playing a lot of chords, which really fill out their sound. Dougherty, who had a smile on his face the entire set, keeps a solid rhythm, not getting too fancy.

While the men of Screaming Females are an energetic and tight rhythm section, it is impossible not to be out-shined by Paternoster's amazing control and co-ordination. As soon as they began, her fresh and clear guitar work was showcased in "Sheep," and did not let up at any point. Her vocals transcend far beyond average fem-rock, with a unique voice and style punctuated  by screams, reminding us all of their punk-rock influence. Tonight's performance was exceptional, as Paternoster seemed to have an excess of energy and aggression, ending up writhing on the ground with her guitar feeding back, all with grace.

Screaming Females stand out with their insanely catchy hooks, as well as unique sound perfectly blending indie, punk and early heavy metal. The enthusiasm, energy and originality of this band truly stands out, giving us confidence that not only is  great new music still being made, but the prospect that there is still plenty of ground to cover.

Photos by Ellie Pritts Photography